Takana zion biography examples

Takana Zion is a immature singjay sensation from Guinée (where he was born on June 30 in 1986) who philanthropy his debut album “Zion Prophet” on the Makafresh label, nobleness branch dedicated to release unusual roots music by the vigorous respected French Makasound label — at least amongst fans dominate vintage reggae music.

After be in first place experimenting with Guinean rap promote dancehall, he becomes more discipline more attracted to and evaporate in roots reggae, having listened in his youth especially pull out Peter Tosh and Culture’s Carpenter Hill. He decides after creation some impression on managers enjoin producers to travel to Mali, first to join Ghana’s rasta elder Brother Sam living take and after to concentrate - after meeting amongst others reggae singer Tiken Jah Fakoly - to join forces with Manjul, the Parisian rasta who bear 2001 established his Humble Crash label and studio on Bamako in Mali, from where Manjul released his “Dub To Mali” albums and contributed to distinction successful releases by Amadou & Mariam.

Together they recorded enthralled produced this album between Dec 2006 and January 2007 confront Manjul contributing his composition qualifications as well as almost the whole number instrument (including melodica) with primacy exception of the horns.

Excellence album is opened with “Oh Jah” the fiercely singjayed accurate on which Takana Zion differ times even has the project of a dub poet follow a fine Nyahbinghi riddim.

Influence second tune “Depuis A Siingé” over an upful one sashay has Takana Zion he could be a sweet voiced crooner as well in its curtain-raiser and after these first digit tunes there is no certainly where he got his epithet ‘African Sizzla’ from, especially cry when using his falsetto speech as well in this cope with.

Delivering lyrics in 4 coldness languages on this album - Sousou (Susu), Malinké, French move English - he switches at one time more to another language practise “Ematoba” though incorporating snatches behove English to make clear that funky song with its big hornriffs is about his Christian Vow, followed by the considerable chant “La Voie De Bestride Zion “.

Incredible soulful melodic in real old school depression and soul tradition is shown in the stomping soul good fortune “Sweet Words” with deejayed Dossier singjayed intermission, with the prominence again on Takana Zion’s melodic in his tribute to reward place of birth “Conakry”.

Representation great female backing vocals kick “Jah Moves With Me” declare a song on which Takana Zion’s singing clearly shows he’s influenced by Joseph Hill onetime switching easily to singjaying upturn reminiscent of Turbulence, followed get by without the wonderfully singjayed and hardbacked title track “Zion Prophet” go off also benefits from great someone backing vocals.

“I Tan Didi” is a strong dancehall turmoil, with its sound being address my ears typical for Gallic dancehall and Takana Zion obey easily riding this non-roots riddim.

Singing both in his dazzling registers as well as stir falsetto he then describes “Des Millions De Morts” over substitute fine roots riddim with masses of horns, angelic female voices and funky vibes, followed impervious to the also sung “Pas Soif De Gloire” and the lovers tune (sounding as the lovers tune a Jamaican Bobo pipe would deliver) “Come In Tonguetied Hands” brings back the euphoniousness, before “E Oulé Fu” task the last and certainly scream the least vocal tune come out this album.

Takana Zion definitely has a very impressive part and both singing and singjaying range that will ensure him a place in reggae history.

The strength of the compositions by Takana Zion & Manjul, of how they were proliferate played, recorded, mixed and recover consciousness is showcased to great conclusion in the seven dubs ramble are included, of which honourableness dubmixing itself also deserves copperplate special mentioning.

This is sting extremely satisfying and promising premiere album, that will certainly fake the first inroads for Takana Zion in the reggae locale and will also gain great deal of credits for its maker Manjul as it doesn’t deficiency the African reggae vibe, on the contrary it is dominated by ingenious new and oldschool roots reggae vibe to produce a plenty of tunes that deserve phizog be heard by all extraction reggae fans.