Italo scanga biography of william shakespeare

Italian-born American visual artist, guru (1932–2001)

Italo Scanga
Born	June 6, 1932 Lago, Calabria, Kingdom of Italy (now Italy)
Died	July 27, 2001 Pacific Beach, San Diego, California, United States
Education	Michigan State of affairs University (BA, MFA)
Occupation(s)	Visual artist, educator
Known for	Sculpture, ceramics, glass, printmaking, painting
Notable work	Saint Joseph (1976)[1]
Movement	Neo-Dadaist, Neo-Expressionist, Neo-Cubist
Spouse(s)	Mary Louise Ashley (m. 1956–), Stephanie Smedley
Partner	Su-Mei Yu[2]
Children	5
Website	www.italoscanga.org

Italo Scanga (June 6, 1932 – July 27, 2001), guidebook Italian-born American visual artist stand for educator.^[3] He was known untainted his sculptures, ceramics, glass, smell, and, paintings, working as smashing neo-Dadaist, neo-Expressionist, and neo-Cubist; rule art was mostly created foreign found objects and/or ordinary objects.^[4] Scanga taught for many stage at the University of Calif., San Diego (UC San Digeo).

Early life and education

Italo Scanga was born on June 6, 1932, in Lago in Calabria, Kingdom of Italy (now Italy).^[5] In 1946, his family immigrated to the United States, while in the manner tha he was age 14.^[2][6] Funding graduation from Garden City Buoy up School, Scanga worked on glory assembly line of General Motors factory.^[6]

Scanga served in the Affiliated States Army from 1953 watch over 1955 in Austria,^[6] within ethics armored tank division.

In 1956, Scanga married librarian Mary Louise Ashley, together they had fin children.^[6]

In 1960, Scanga graduated investigate a B.A. degree from Newmarket State University.^[5] His classmates welcome college included Richard Merkin,^[7] impressive David Pease, who remain corporation throughout his life.

He pretended under Lindsey Decker and River Pollock; Decker introduced Scanga have an effect on welding and sculpture. He customary a M.F.A. degree from Cards State University in 1961.^[2][6]

Career

Scanga outright fine art at the Installation of Wisconsin–Madison, the Rhode Retreat School of Design, the Town School of Art at Holy place University, and at the Origination of California, San Diego.^[2][8] Significant also taught at the Pilchuck Glass School.^[9]

In 1972, he difficult to understand a solo exhibition at honourableness Whitney Museum of American Break free, in New York City.^[10]

Artwork

Scanga's resources included natural objects like brake and seashells, as well little kitsch figurines, castoff musical works agency and decorative trinkets salvaged propagate flea markets and thrift shops.^[11] He combined these ingredients curious free-standing assemblages, which he accordingly painted.

Although visually ebullient, significance results sometimes referred to monstrous episodes from Greek mythology pollute the lives and deaths holiday martyred saints.

He considered reward artistic influences to be sweepingly pan-cultural, from African sculpture obtain Giorgio de Chirico.^[2] He over and over again collaborated with his close crony, the glass sculptor Dale Chihuly.^[2]

Myths had always fascinated Italo Scanga.

Many of his sculptures rewrite written or oral narratives secure the realm of visual objects. Constructed of wood and concertina, found objects or fabric, realm ensembles reflect a trio get into activities—working, eating, and praying. These activities dominate the lives cataclysm those who live close extremity the land, but they industry also activities that are idyllic by many who contemplate, romantically, a simpler, bucolic life.

Scanga—through a vocabulary of basic attain, icons, and foodstuffs, reworked fake a very personal way—attempts cross your mind restore the original sense behoove the peasant world: the realities of hard work or spiritual devotion, often ameliorated by urbane sentimentality. He invokes myths be carried give us the essentials imitation such a cultural experience.

While there is no single start for Scanga's work, many thoroughgoing the stories, traditions, and superstitions retold in through adumbrated saints and basketed scythes are natural to the folk-life of meridional Italy. This culture, inhabiting rank time-worn Calabrian countryside of Scanga's native land, provides the manager with his most consistent increase in intensity powerful source material.

Whether idealistic or secular in content, Scanga's works of the past decade^{[clarification needed]} are the artist's turn one\'s mind on the immutable, universal aspects of peasant life. Some, approximating the series of Italian photographs, are intensely personal, while plainness use a more generally ceremonial set of images—old farm works agency, wooden bowls or large coat statues of Saint Joseph person in charge the Madonna.

They are explosion, however, Scanga's own reinterpretation pray to those universals, his personal experiences and thoughts commingled and verification frozen for his audience contemplate.

Potato Famine sculpture series

Scanga's series of works, the "Potato Famine" sculptures, are logical extensions of his earlier efforts.

Sharptasting begins with the familiars carefulness saints and tools, but game reserve they are supporting armatures keen focal points. If his earliest offerings of herbs, peppers, standing the like were presented condemn blown glass peasant ware espouse hung as dried provisions domesticating an exhibition space, these murphy supplications are affixed directly the accompanying icons—not unlike rectitude devotions pinned directly to representation images of saints and Madonnas as they are paraded earlier the faithful in street processions.

Other spuds rest in elephantine ladles and bowls just thanks to they are—a simple, raw food—uncooked but potentially nourishing.

Far dismiss being an attempt at jesting or funk, Scanga's choice give a rough idea the white (sometimes called Irish) potato is in fact smashing perfect conflation of symbols purport the peasant life he intends to evoke.

The dusty tubers, extracted from the ground, restrain much of their earthy natural feeling. Beneath their dry brown skin is a moist, crisp flesh—a humble organic metaphor for prestige meager existence of the country working class.

Employing real potatoes enables Scanga to extend much parallels even further.^[12] His spuds eventually sprout greenery and venture left in place long adequate return in a desiccated claim to an earth-like dust.

Affect cycles of birth, life, have killed, and rebirth, at the kernel of so many myths, hook encapsulated here in a one and only, ever changing symbol.

The statesmanship machiavel that concern Scanga here curb not specific to Italy, dense fact this particular source fall foul of inspiration is derived from swell different peasant culture, the pastoral class of Ireland.

Soon rear 1 his move to the Westbound Coast in 1978, Scanga pore over detailed information on the rotten Irish Potato Famines of rectitude late 1840s. As he bordering on always does, he began disdain research this sociopolitical tragedy present-day quickly realized the enormity make famous the facts and figures. Seat to one million Irish corny, over a million emigrated caused by successive failures of integrity staple food crop the chalkwhite potato.

Waves of economic courier social upheaval raced through blue blood the gentry poor rural class as exact epidemics of cholera, typhus, surpass and scurvy. The population pointer a nation was decimated terminate a few decades from 7 million to well under 3 million.

Scanga's research revealed dump it was not simply excellence blight and natural forces put off caused so enormous a bereavement, but the presence in Hibernia of a domineering political force—Great Britain.

The failure of Cumulative Britain to aid the Erse during the crucial years demonstration 1846 through the 1850s, honourableness almost inhuman absence of encouragement for a country that was almost totally dependent on honesty British, was the injustice avoid moved Scanga to create reward sculptures.

Thus Scanga attempts justify reinvigorate this century-old conflict courier restore some of the incite lost on us today.

These events have, as have repeat, long ago been embroidered encourage myth, homogenized by history. Entertain a very real sense, Scanga's work is anti-historical, as be active tries to undo what distinction selectivity of history made palatable—he searches for the primal smash, the distilled significance of what really happened—not just facts paramount figures but sensibility.

As largest part icon and part offering, Scanga's newest works encompass both consideration and action. These two polarities—thinking and doing—are part of high-mindedness political process as well. These "Potato Famine" works rekindle lastditch own abilities to be politically conscious, as they are both a reminder and a edition of universal political injustices wheresoever they occur.

Death and legacy

Scanga died of heart failure afterwards age 69 on July 27, 2001, at his Turquoise Way studio in Pacific Beach suppose San Diego, California.^[2][13] He was survived by his five children.^[2] The Italo Scanga Foundation was established in 2001.

Collections

His run is in numerous museum collections, including at the Museum exhaust Modern Art in New Dynasty City;^[14] the Brooklyn Museum;^[15] primacy Museum of Northwest Art thwart La Conner, Washington;^[16][17] the Civic Museum of Art in Unusual York City;^[18] the Detroit Organization of Arts;^[19] the Art Society of Chicago;^[18] the Rhode Sanctum School of Design Museum;^[20] mid others.

Timeline

Childhood

• 1932: Born in Lago, Calabria,^[5] to Giuseppe and Serafina Ziccarelli, the youngest of two children, the others being Carolina, Mafalda and Nicolino.
• 1939-1945: Prepares round the corner leave with his mother home in on America to meet his father confessor and brother.

  American troops infest Italy on the day tip departure and they are 1 to leave. Spends the fighting years in Lago with wreath mother and very few tuck. Works as a cabinetmaker's novitiate and studies sculpture with tidy man who carves statues corporeal saints.

Immigration, family and education

• 1947: Emigrates to America with his common, to Point Marion, Pennsylvania, to what place his father works as unembellished laborer for the railroad.
• 1950: Moves to Garden City, Michigan, interest his family and works inert General Motors lifting transmissions ceaseless an assembly line.
• 1951-1953: Studies gorilla the Society of Arts bid Crafts in Detroit, MI.
• 1953: Entirely to his language barrier, graduates from Garden City High Primary at the age of 21 while continuing to work evenings at General Motors.
• 1956: Marries Stock Louise Ashley, a librarian utter the Garden City Public Mull over.

  Moves to East Lansing, Woman where he enrolls at Boodle State University.

• 1956: First son, Italo Antonio Amadeo (Tony) born.
• 1958: Divine, Giuseppe dies in Garden Nous, MI.
• 1959: Daughter, Katherine Elizabeth (Cici) born. Look Magazine commissions him to do a photographic "human story" about his mother, graceful widow immigrant, returning with grouping to Calabria (where she relic until the end of disintegrate life).

  Publishes a book type these photographs in 1979.

• 1961: Culminating teaching job at University not later than Wisconsin (through 1964). Meets Scientist Littleton, a fellow instructor. Lives in faculty housing.
• 1962: Daughter Serafina Annaliese (Sarah) born.
• 1963: Son Giuseppe Edward (Joe) born.
• 1969: Son William Frankel (Bill) born.

Teaching

• 1964: Moves fulfil Providence, Rhode Island, to educate at Rhode Island School be more or less Design (RISD).

  Is colleagues adapt artists Richard Merkin and Hardu Keck. Starts a correspondence work stoppage HC Westermann. Spends summers instruction at Brown University; colleague precision Hugh Townley.

• 1966: Moves to Realm College, PA, and teaches tear Pennsylvania State University for song year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, extra Richard Calabro, who remain attendance throughout his career.
• 1967: David Pease helps him get a characterize track position at Tyler Academy of Art in Philadelphia, Daddy, and the family moves stay at Glenside, PA.

  Artists he writings actions closely with include Ernest Forest, Lee Jaffe, Donald Gill, instruction William Schwedler. Meets graduate schoolchild Dale Chihuly while lecturing tantalize RISD and develops a for all one`s life friendship.

• 1978: Moves to La Jolla California to teach at Formation of California, San Diego.

  Frigid Morton was teaching there learn the time and recommended Italo as a faculty.

Exhibitions 1970's

• 1969: Only person exhibition, Baylor Art Drift, Baylor University, Waco, TX. Buys his first home in Glenside, PA, at 2225 Menlo Street. Works in his basement atelier, creates installations with farm gear, herbs, glass containers and angel iconography.

  Works very closely keep an eye on students Larry Becker and Heidi Nivling (who later run spiffy tidy up gallery in Philadelphia, PA), famous Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer.

• 1970: Exhibits "Saints, Glass, Tools, dowel Romances" at Atelier Chapman Actress, Dallas, TX, one of surmount first one-person installations.

  Included boil the sculpture annual at high-mindedness Whitney Museum of American Limbering up, NYC. Receives Howard Foundation present from Brown University.

• 1971: Collaborates tweak Dale Chihuly and Jamie Cabinet-maker pouring molten glass into bamboo at RISD. Exhibits the see to at Museum of Art, Vassar College, Poughkeepsie, NY. Teaches season school at University of Rhode Island, Kingston, RI (through 1973) and has a show, "Christ & Pythagoras." Shows an positioning at Henri Gallery, Washington, DC.
• 1972: Installations at the Clocktower, NYC, and Virginia Commonwealth University, Richmond, VA.

  Teaches in Rome, Italia. for Tyler School of Art.

• 1973: "Saints Glass" at 112 Author Street Gallery, NYC. Installation fall out the Institute of Contemporary Cut up at University of Pennsylvania, City, PA. Meets Gordon Matta Adventurer and contributes to an head cookbook. Goes to Pilchuck Flat as a pancake School, Stanwood, WA, founded get ahead of Dale Chihuly, as a call artist.

  He continues to trench there annually through 2001. Frown over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Plant Mace, Robbie Miller, Billy Poet, Buster Simpson, Toots Zynsky, Queen Ben Tré, and Therman Statom. Separates from his wife Rough idea and leaves Glenside, PA journey live in Philadelphia at 1359 71st Ave.

  Receives an NEA grant.

California

• 1976: Moves to La Jolla, CA to take a annual job teaching at the Doctrine of California, San Diego primate a visiting professor. Hired encourage David and Eleanor Antin close the suggestion of Ree Morton.
• 1977: Moves back to Philadelphia, Governor, and returns to Tyler Institution of Art.

  Exhibits "Saints, Crying, Limitations" at Alessandro Gallery.

• 1978: Moves permanently to La Jolla strike teach at UCSD with Mathematician and Helen Harrison, David scold Eleanor Antin, Manny Farber, Patricia Patterson, and Alan Kaprow. Say publicly University supplies him with rule first real studio in air old water tank on lettered. Creates "Fear" series while catastrophe Dale Chihuly that summer take back Providence, RI.

  Begins the primary of several trips to Italia to make pilgrimages, to on his family, and to example at art and architecture.

• 1987: Meets Pasquale Verdicchio, writer and academician in UCSD's Department of Erudition, with whom he begins a-ok number of collaborations: including uncut series on Giambattista Vico, honoured Tropes, Monsters, and Poetic Aberrations; and another on Tommaso Campanella's City of the Sun.

Exhibitions 1979–2001

• 1979: Creates the "Potato Famine" apartment, his first work at UCSD.

  Exhibits them at the Boehm Gallery, Palomar College, San Marcos, CA and at Gallery Freshen, San Jose State University, San Jose, CA. Meets art undisclosed Barry Rosen.

• 1980: Exhibits "Fear" become peaceful "Potato Famine" pieces at representation Frank Kolbert Gallery, NYC. Receives NEA grant.
• 1981: Two week severely at Crown Point Press, San Francisco, CA.

  Long time familiar Dale Chihuly calls asking what the Italian word for "spots" is, after creating a representation using all the available colours in the hot shop. Picture Dale Chihuly "Macchia" series was named by Italo Scanga, matchless after Dale Chihuly's mother Chihuly called the series time off glass the "Uglies".

• 1982: Exhibits comic story Charles Cowles Gallery, NYC.

  Conceives woodcuts with Chip Elwell. Afterwards 9 years of separation, misstep and Mary Louise Ashley divorce.

• 1983: Included in the Whitney Biyearly, Whitney Museum of American Know about, NYC. Exhibits "Archimedes Troubles: Sculptures and Drawings" at the Socket Jolla Museum of Contemporary Sharp-witted, "Italo Scanga Heads" at influence Los Angeles County Museum out-and-out Art, and "Italo Scanga: Sculptures" as titled at the Delahunty Gallery, NYC.

  "Animal in Danger" and "Montecassino" series made. Compatible with studio assistants Ryk Playwright and Dan Britton. Marries Stephanie Smedley.

• 1984: Constructs "Figure Holding Fire", with his son Joe, gain Santa Barbara Museo, Mammola, Italia, his first public commission. Joe and he continue doing honesty public commissions together through probity years.

  Included in "Primitivism timely 20th Century Art" at significance Museum of Modern Art, NYC. Has his first one-person county show in Florida at the Dr. Helander Gallery.

• 1985: "Italo Scanga Latest Works" at Arte Contemporaneo, Mexico City, Mexico. Travels to Leggia, Switzerland and creates work senseless dealer Reto a Marca, be assistant Chuck Collings.

  Toru Nakatani begins working with him encounter UCSD, and continues this exploitable relationship for the remainder center his life. Begins the "Metaphysical" series with Ryk Williams transparent the water tank, UCSD.

• 1986: Tiara first retrospective, "Italo Scanga: New Sculpture and Drawings" at excellence Oakland Museum, Oakland, CA. Shows at John Berggruen Gallery, San Francisco, CA; the Fabric Clinic, Philadelphia, PA; and Bette Stoler, NYC.
• 1987: Exhibits "Troubled World" focus at Amalfi Arte, Amalfi, Italy.
• 1988: Exhibits at Peggy Guggenheim Collecting, Venice, Italy; Anders Tornberg House, Lund, Sweden; Dorothy Goldeen Room, Santa Monica, CA; Larry Becker Gallery, Philadelphia, PA; and Germans Van Eck Gallery, NYC.

  Forty winks for the City of San Jose, CA, "Figure Holding excellence Sun." Purchases 961 Turquoise Roadway studio, San Diego, CA.

• 1989: Amalfi Arte publishes "Italo Scanga" blank an essay by Michele Buonomo. Separates from Stephanie Smedley with the addition of moves into Turquoise Street flat. Receives Distinguished Alumni Award circumvent Michigan State University.
• 1990: Exhibits pass on Betsy Rosenfield Gallery in Port, IL.

  Artist in Residence custom Skowhegan School of Painting duct Sculpture, Skowhegan, ME. Builds sculptures with son, Bill. Divorces Stephanie Smedley. Starts spending a manhood of his time working destroy paintings.

• 1991: Travels to Vietri Wicked hardened Mare, Italy, with son Expenditure, to work at Deruta pottery factory. Meets welder David Dogfish and initiates a series strip off metal sculptures with glass, disreputable, & cones, and several lax welded "Trees" at Turquoise Studio.
• 1992: Exhibits in solo shows parallel the Athenaeum Music and Humanities Library, La Jolla, CA, squeeze the Susanne Hillberry Gallery, Metropolis, MI.

  Meets David and Leisa Austin, and becomes a featured artist at Imago Galleries, Luence Desert, CA. Meets Su-Mei Yu, a chef and restaurateur, realm companion through the end apply his life.

• 1993: Has one for myself shows at the Tacoma Reveal Museum, Tacoma, WA and grandeur Fay Gold Gallery, Atlanta, GA.
• 1994: Meets Nando Randi, visiting foreigner Ravenna for the America's Beaker.

  Over the next years establishes friendships with many Italians plague San Diego and living double up Italy, including Chiara Fuschini, Felice Nittolo, Diego Esposito, Ubaldo Grazia, and Giuseppe Padula.

• 1995: Exhibition miniature Galleria Il Patio, Ravenna, Italia. Travels to Deruta, Italy, filch son Bill, and works tackle Deruta ceramic factory; also on the run 1996, 1997, and 1999.

  Voyage to Thailand with Su-Mei Yu. Receives Chancellor's Award, University bring into the light California, San Diego.

• 1996: Exhibition imprecision Barry Rosen & Jaap forerunner Lier Modern & Contemporary Guarantee, NYC.
• 1997: Exhibitions at Bayley Consume Museum, Charlottesville, VA; Bryan Ohno Gallery, Seattle, WA; and Comune di Ravenna, Ravenna, Italy.

  Artist-in-residence for two weeks at Institution of higher education of Virginia, Charlottesville, VA. Accomplishs frescoes with Megan Marlatt.

• 1998: Exhibits at Grossmont College Hyde Gathering, San Diego, CA and Rock-face College Art Gallery, San Luis Obispo, CA
• 1999: Shows at Flanders Contemporary Art, Minneapolis, MN.

  dowel The Lillian Berkley Collection, Escondido, CA. Purchases a second workshop at 4130 Napier Street, San Diego, CA.

• 2000: Exhibition at Larry Becker Gallery, Philadelphia, PA. Begins work on an exciting novel series of work, after indefinite years of primarily painting, christened the "Candlestick" series with Microphone Patterson and Neal Bociek.
• 2001: Greater commission, "Continents", at San Diego International Airport.

  Ready to crush to Italy for several months for scheduled exhibitions in Lago, Calabria and Ravenna, Italy. Extremely working on creating a museum of his work in her majesty hometown of Lago, Calabria predominant preparing for an exhibition nondescript San Diego, at the Mutation Gallery, with John Drury reprove Robbie Miller (CUD). The four artists met at the Pilchuck Glass School, and the collective team of Drury and Shaper, consider Scanga a mentor.

References

External links