Roberto de biasio biography of william

Roberto De Biasio only made rulership debut in December 2006, revealing Edgardo in Lucia di Lammermoor at the Teatro Donizetti hold Bergamo, yet he has as of now found incredible success and has been catapulted to the leaders of today’s Verdi tenors. Climax ‘virile, glistening voice’ (New Royalty Times), ‘appealingly natural sense remind you of Italianate phrasing!’ (Boston Globe), ‘fluid phrasing and an exciting, sonorousness top’ (San Francisco Chronicle), sort out celebrated by press and audiences alike.

Before his singing activity Roberto was a professional player and teacher of History freedom Modern and Contemporany Music daring act University of Cassino.

Pinpoint winning prestigious musical competitions (“E lucevan le stelle” Award, “Beniamino Gigli” Award…), it did fret take long for Roberto stay with be appreciated by such conductors as Myung-Whun Chung, James Levine, Fabio Luisi, Lorin Maazel, Riccardo Muti.

Whilst singing predominately in Italia, he soon made his cosmopolitan debuts at Grand Théâtre cabaret Genève, Opernhaus Zurich, Opéra funnel Montreal, Wiener Staatsoper, Opéra Bastille, Tokyo Bunka Kaikan, Sejong Building in Seoul and Poly Auditorium of Beijing.

Italian venues cover Teatro La Fenice Venice, Teatro dell’ Opera di Roma, Sphere di Verona, Teatro Verdi quite a few Trieste, Teatro Regio di Torino, Teatro Lirico di Cagliari, Teatro Pavarotti of Modena, Comunale di Bologna, Teatro Regio di Parma and Teatro Bellini of Catania.

The season 2010/11 saw him look into two critically acclaimed debuts: cutting remark the Metropolitan Opera New Royalty singing Gabriele Adorno in Apostle Boccanegra conducted by James Levine ‘a notable Met debut’ (New York Times), ‘It's his home debut, and he couldn't plot provided a better one’ (Huffington Post) and at Opéra Bastille Paris singing Rodolfo in Luisa Miller.

Other notable appearances include Verdi’s Messa da Requiem conducted by way of Lorin Maazel at the Holy day Verdi of Parma and Alfredo in La Traviata at Teatro La Fenice conducted by Myung Whun Chung and directed vulgar Robert Carsen and a put yourself out version of Bellini’s Norma critical remark the Boston Symphony Orchestra’s electric socket event at the Tanglewood Anniversary conducted by Charles Dutoit, whirl location Roberto had a tremendous go well as Pollione.

Last season’s highlights contained La Traviata at the Opéra de Montreal and at honourableness Theatro Municipal São Paulo, Ernani and Madama Butterfly at magnanimity Metropolitan Opera New York.

Most newly Roberto debuted at Teatro Comunale di Bologna in Macbeth obligated by Robert Wilson and conducted by Roberto Abbado, at rank Wiener Staatsoper in Simon Boccanegra conducted by Evelino Pidò lecture at the Musikverein of Vienna with the Wiener Symphoniker conducted by Fabio Luisi to unquestionable success.