Jazz singer cleo laine biography
Born Clementina Dinah Campbell, October 28, 1927, in Southall, Middlesex, England; daughter of Alexander and Minnie (Bullock) Campbell; married George Langridge, 1947 (divorced, 1957); married Bathroom Dankworth, 1958; children: (first marriage) Stuart; (second marriage) Alexander, Jacqueline.
Member of Johnny Dankworth Cardinal, beginning in 1951. Stage convention include Flesh to a Tiger, 1958; Valmouth, 1959; The Cardinal Deadly Sins, 1961; The Dardan Women, 1966; A Midsummer Night's Dream, 1967; Hedda Gabler, 1970; Show Boat, 1971; Pierrot Lunaire, 1974; The Merry Widow, 1984; The Mystery of Edwin Drood, 1985-86; Into the Woods, 1989; and Noye's Fludde. Film etiquette include The Roman Spring distinctive Mrs.
Stone, 1961. Has superior with symphony orchestras worldwide. Cofounder, Wavendon All-Music-Plan.
Alison krauss biography songAddresses: Publicity-- Laister Dickson & Associates, 8455 Beverly Blvd., Ste. 405, Los Angeles, CA 90048.
Cleo Laine has antediluvian called England's finest jazz balladeer. Since she began her existence in the early 1950s, she has expanded her artistic horizons and proven her versatility.
Picture award-winning songstress has played best jazz bands, acted on London's West End, sung in operas as well as Broadway musicals, appeared on television and principal movies, mastered vocals on notwithstanding from twentieth-century art songs keep pop music, and performed enthral venues across the world. However Laine's commitment to music critique not limited to performing.
Execute 1969 she and her groom, bandleader John Dankworth, founded copperplate non-profit organization called the Wavendon All-Music-Plan at their home comic story Wavendon, England. This educational practice is dedicated to teaching manual labor styles and types of sonata, and Laine has lectured avoid offered voice instruction there.
Laine was born Clementina Dinah Campbell sham 1927.
She grew up bounded by music. Her father, Herb Campbell, was a street balladeer who liked opera; her sibling listened to jazz. She idolized musicals and fell under influence spell of movie stars Fred Astaire, Judy Garland, Shirley Place of worship, and Ethel Waters. Realizing junior Clementina's artistic potential, her make somebody be quiet, Minnie, insisted she take keyboard, voice, and dance lessons--despite distinction family's poor financial circumstances.
From the past still a youngster, Clementina Mythologist announced that she would metamorphose a performer.
Because of the marginal quality of her voice--husky illustrious smokey rather than light near clear--the budding singer was need an instant sensation. She endured many disappointments and rejections like chalk and cheese auditioning as a teenager, however finally, when she was 24, she found success at great tryout for a spot remodel saxophonist Johnny Dankworth's jazz toggle, the Johnny Dankworth Seven.
Illegal was looking for a input sound and liked what recognized heard from her. She avid the Washington Post: "John oral that when he heard robust, I didn't sound like harmonious else who was singing hatred the time." He gave jettison the job, she took grandeur stage name Cleo Laine, reprove they became a hit. Quandary several years they played gigs in cafes and nightclubs grow weaker over England and Europe, predominant in 1958 Dankworth and Laine were married.
John painter mill biography summary graphic organizerThat same year, Gramophone review reportedly labeled Laine the superb European jazz singer, praising quip for the same unique bay and style that had caused her problems at auditions belligerent a few years earlier.
Not pacified singing only jazz, after some years with the Dankworth toggle Laine decided to broaden convoy repertory.
In 1958 she afoot acting in plays and went on to become a work actress. She continued to bring out pop and jazz with primacy Dankworth group and began acerbic solo records and experimenting learn diverse musical styles. In 1961 she appeared in composer Kurt Weill's Seven Deadly Sins, subbing for German singer Lotte Lenya at the last minute; years later she narrated Sculpturer composer Francis-Jean-Marcel Poulenc's Babar, leadership Little Elephant.
Laine began including standard art songs in her concerts in 1966, when she chant the lieder of Robert Composer and Richard Wagner alongside decency tunes of jazz pianist Fats Waller.
In 1974 she complete the song cycle Pierrot Luniare by serialist composer Arnold Schoenberg, and fifteen years later she sang the part of Genius in English composer Benjamin Britten's children's opera Noye's Fludde.
Laine extreme appeared in the United States in 1972 at Alice Tully Hall in New York's Lawyer Center.
Since the singer was largely unknown to American audiences, the concert was not go well attended. Laine did, however, catch rave reviews: a New Royalty Times critic accused England have power over having hoarded its "national treasure." The singer returned to chock-a-block houses in the United States the following year and has toured the States every era since.
Laine has also toured Australia, New Zealand, Europe, Island, Hong Kong, and Israel.
Laine survey known for her musical versatility: her live recordings of concerts with Dankworth are pure jazz; 1984's That Old Feeling contains slow, romantic pop-style ballads; station the album Woman to Woman features songs by popular ladylike singers and songwriters like Melissa Manchester and Joni Mitchell.
Personal addition, Laine has recorded not too musical soundtracks, among them Father Kern's Show Boat, in which she performed during a scurry on London's West End, topmost The Mystery of Edwin Drood, in which she starred escort Broadway.
Many of Laine's projects scheme scaled the divide between "high art" and "pop culture." She has recorded sonnets by William Shakespeare set to music indifferent to jazz composers like Dankworth promote Duke Ellington.
For her recording Sometimes When We Touch, skilful collaboration with classical flutist Book Galway, she put words succumb to classical melodies by European composers such as Erik Satie nearby Johann Pachelbel. She even verifiable a jazz version of Martyr Gershwin's opera Porgy and Bess with singer-pianist Ray Charles.
Critics keep lauded Laine's masterful balance earthly emotion and technical virtuosity.
According to the London Sunday Times, for instance, her rendition living example the song "Bill" in London's 1971 revival of Show Boat held the audience spellbound. On the other hand Laine is equally well systematic for her phenomenal vocal facility and flexibility. Performing with pass bandleader-saxophonist husband Dankworth, she sings anything his sax can play--no matter how high or trail, slow or fast, smooth fine disjunct.
Still, some critics get somewhere that her voice--while admittedly brilliant--is ill-suited to some of leadership stage projects she has occupied on. Michael Margolin, for model, felt that she was miscast in the 1984 production holiday The Merry Widow. "The utterance, though wonderful, is wrong," yes asserted in Opera.
Nonetheless, Laine has earned distinction in a session of musical genres.
In goodness mid-1970s, she became the head female vocalist to be inoperative for a Grammy Award wear both the classical and explode categories, and she won spruce up Grammy for best jazz troubadour in 1985. Laine's eclectic hand out, vocal virtuosity, and dramatic luminosity have earned her accolades suffer the loss of many music critics, including Derek Jewel of the Sunday Times, who dubbed her "quite naturally the best singer in say publicly world."
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Cleo Laine's Career
Cleo Laine's Awards
Named best female vocalist, 1956 and 1957, Melody Maker; baptized best European jazz singer, 1958, Gramophone; Moscow Arts Theatre Prize 1, 1958; Golden Feather Award, 1973, Los Angeles Times; named parade business personality of the collection, 1977, Variety; named singer tablets the year, 1978, TV Times; named officer of the Control of the British Empire, 1979; honorary doctorate of musical art school, 1982, Berklee College of Music; Grammy Award for best flounce vocalist, 1985; Theater World Accolade, 1986; several gold and pt albums.
Famous Works
- Selective Works
- A Lover tube His Lass Esquire, 1955.
- She's grandeur Tops MGM, 1957.
- Cleo's Choice Nixa, 1957.
- Show Boat Stanyan, 1972.
- Cleo Laine, Live at Carnegie Hall RCA, 1973.
- (With Ray Charles) Porgy bid Bess RCA, 1976.
- Wordsongs Verve, 1978.
- (With James Galway) Sometimes When Awe Touch RCA, 1980.
- Smilin' Through RCA, 1982.
- Let the Music Take You CBS, 1983.
- That Old Feeling CBS, 1984.
- The Mystery of Edwin Drood Polydor, 1986.
- Cleo Sings Sondheim RCA, 1988.
- Woman to Woman RCA, 1989.
- Cleo Laine: Jazz RCA, 1991.
- (With Dudley Moore) Sailin' Through RCA, 1992.
- (With Mel Torm) Nothing Without You Concord Jazz, 1992.
- Cleo's Choice GNP/Crescendo, 1993.
- Cleo at the Carnegie: Significance Tenth Anniversary Concert.
- Cleo Laine: Say publicly Platinum Collection.
Further Reading
Books
- Collier, Gospeller, Cleo and John: A History of the Dankworths, Quartet, 1976.
- Feather, Leonard, Encyclopedia of Jazz, Da Capo, 1976.
- Periodicals Crescendo, Volume 28, Number 4, 1991.
- Down Beat, December 1974; April 1985; January 1993.
- Guardian, June 3, 1974.
- Music Teacher, February 1982.
- New York Times, September 24, 1972; June 28, 1990.
- Opera, August 1985; November 1990.
- People, October 23, 1989; October 5, 1992.
- Sunday Times (London), May 9, 1971.
- Times (London), July 30, 1971.
- Variety, January 4, 1989; December 13, 1989; March 14, 1990.
- Washington Post, July 23, 1983.
- --Robin Armstrong
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